Assignment 1

When deciding on a subject matter for this assignment I thought about the things I am interested in so that there would be a personal connection; these include wildlife-watching, music, cooking and, of course,  art.  Since school I have always been interested in music and started playing the french horn in the school and a local orchestra.  However, the french horn was never my first choice for an instrument but it was the case of playing the instrument which was needed to fill a place in the school orchestra; I had always wanted to play the clarinet.  So a couple of years ago in my mid-50s I finally started to learn the clarinet.  I decided this would be the subject for my assignment.

I collected a few things together (clarinet, reeds, cork grease, metronome, reed case, cleaning rag, etc) and tried a few quick small sketches to look at the composition.

The trouble with the clarinet was its length compared with the other objects made the composition unbalanced so I preferred the close-up cropped composition.  I also thought this would give a more abstract quality to the drawing.  Drawing objects close-up and detailed was quite difficult so I used a transparent picture finder with a grid inscribed to focus in on a small area and ensure I always came back to the same position when viewing the objects.  I completed a small A4 study using various grades of pencil to see if I liked the composition in a slightly larger format.

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I did like the resultant image and although the perspective on some of the keys is slightly out and some of the white tones could have been whiter, I thought the drawing itself was fairly successful.  However, it did not have that abstract quality I was seeking and after experimenting during the unit I knew I had fallen back into the safe option for the assignment and produced a drawing showing the visual appearance of the objects.  I thought about repeating the drawing using more free and gestural marks but I felt this still meant I was not taking enough risks.  I began to think about Ernst and the Surrealists and wondered if I should try a Surrealist drawing.

I decided to have a go at an automatic technique as a basis for a final drawing and settled on the oscillation technique used by Ernst (see Ernst post below) as this seemed to fit in well with the rhythm and beat of music.  I set up a cage (an old cloth wardrobe frame) and hang a small bottle with the hole in the bottom from string and then swung it is a pendulum motion.

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At first the ink just dripped rather than flowing freely so I had a number of attempts before getting an effect I liked which showed both drips and lines.

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I now started to look at the result and used my imagination to see what images emerged from the lines.   I could see an orchestra pit, a clarinet player, footprints, etc but each time I tried to develop the image it just did not work.  I then decided to take time out and let the image emerge but the more I looked, the more confused I became.  After about two weeks of doing not much,  just staring at the page and getting depressed at my lack of imagination,  I abandoned this experiment and decided I would come back to it another time.

I still wanted to try a surrealist type drawing so began some thumbnail sketches to make a ‘clarinet landscape’.  I thought about the important elements of playing a clarinet – embouchure, fingering, timing, listening, reed and incorporating these into the landscape. I finally found a composition I liked with a cityscape at the top of a hill (it now reminds me of a visit to San Francisco earlier this year and a view from the harbour front).

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I then started to produce the final drawing (A3 size).  The music I had heard as a child which made me want to play the clarinet was Mozart’s Clarinet Concerto so I decided to use the music score as both a background collage and to form some of the buildings and trees.

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I wanted to keep the drawing quite free and used an old metronome arm to print the foreground plants marching across the front of the drawing.

I think the drawing is quite successful and includes a lot about my quest to learn the clarinet and play the Clarinet Concerto (a work still in progress).  The composition does not quite work, as originally I wanted the eye to flow up the drawing from lower left to right in a zigzag motion until the top is reached; however, the inclusion of the building at the bottom right means the eye is drawn more to the right side and moves in a vertical motion up to the top buildings.  I think the collaged music score text and the use of the staves for the buildings and some of the trees is quite successful.

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Author: gbond1104

Studying Drawing 1 as my first course on a BA (Hons) in Painting

3 thoughts on “Assignment 1”

  1. It is really inspiring to read about the journey to your final image! I never thought like this. As you did in the beginning I always go for the safe option. Thank you for opening my mind!
    I like the realistic calrinet! It is very well done, I think. It reminds me of my flute which often tempts me to draw it. However, until now I haven’t dared go into that intricate maze of reflections.

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      1. Hello Gerry,
        for me that is one of the reasons for taking the course, to be daring and try new directions. But it is, as you say, daunting. I’ll be looking forward to your future work.

        Sibylle

        Like

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